JOY AWARDS 2025 2
CLIENT

Done + Dusted

LOCATION

ANB Arena, Riyadh, KSA

YEAR

2025

PROJECT TYPE

Live Event / Awards Broadcast

Scope

Main show and Lavender Carpet
Full loudspeaker system, audio control, and show control design
Live operation and technical support across all phases



Services Provided

  • Audio Systems Design
  • Show Control System Design
  • FOH Mix
  • Monitor Mix
  • Orchestra Mix
  • Replay Operation
  • Systems Engineering
  • Rehearsal Support
  • Lavender Carpet Audio Director, FOH and Replay

The Brief

Now in its fourth year, the Joy Awards has fast become the Middle East’s answer to the Grammys, a high-profile celebration of music, film, and television talent from the region and around the world. For 2025, the ceremony moved to the significantly larger ANB Arena in Riyadh, opening up new opportunities for scale, spectacle, and creative ambition.

Auditoria were brought on board from the concept stage to deliver full audio and show control system design, live mixing, and technical operation for the main ceremony and, for the first time, a complete audio package for the Lavender Carpet.

Arrow

The Challenge

The new venue offered more capacity, but also introduced fresh complexities. The room’s acoustics were dry and unexciting for musical performance, similar to the previous year’s theatre space but on a far grander scale. The size of the space also demanded more expansive coverage but with the same expectations of clarity and localisation.

With additional presentation positions to the extreme sides of the stage and a wraparound orchestra framing the audience, gain-before-feedback, localisation, and precise timing across zones were critical.

Additionally, some of the incoming artists required their own independent control packages to be included within our carefully managed and redundant control ecosystem.

Our Approach

As with previous years, we used L-ISA’s Room Engine to enrich the space for musical performances while tapering it back during speeches to retain clarity. The system design this year expanded significantly, incorporating new side arrays for the presentation positions, a delay system of L2D arrays and surround arrays designed to provide immersive energy and subtle audience cueing. All 62 individual loudspeaker outputs were routed through a redundant pair of DirectOut PRODIGY.MP processors which included a complex delay matrix to provide accurate timing and localisation to the various system states based on the on-stage source position.

We took an innovative approach to front-fill by embedding four stacked KIVA II arrays into the downstage stairs behind acoustically transparent cloth. The approach preserved sightlines while delivering excellent coverage to the front rows and maintaining gain-before-feedback through the extended pattern control of the line lengths used.

A key advancement this year was the seamless integration of our Lavender Carpet systems. These were designed with the same robustness as the main stage, complete with dedicated FOH, replay, and audio direction personnel, ensuring consistency and control from the lavender carpet through to the final encore.

Joy Awards 2025

Technical Highlights:

Audio Design 

Main L2 over L2D arrays with KS21 cardioid subs 

Central flown sub array of 2 x 5 KS28 

Far left/right arrays for presentation positions (L2D) 

Delay hangs: 4 x L2D 

Side orchestra localisation: 9 X6i per side 

28 X8 overheads and 4 x 4 KARA II for rear surrounds 

Built-in front fill: 4 x 6 KIVA II arrays + 8 Syva Low 

Extensive Shure Axient Digital and Sennheiser 6000 series radio microphones 

Performer monitoring via Shure PSM1000 and Sennheiser SR2050 IEMs 

Dual-redundant L-Acoustics L-ISA II Processors 

Dual-engine DiGiCo Quantum 7 consoles each for FOH, Monitors, and Orchestra 

Dual-redundant DirectOut PRODIGY.MP for AVB matrixing 

Redundant AVB and Optocore signal distribution 

Separate Optocore network feeding MADI stems between all consoles, replay systems and the broadcast facility 

Show Control Design

Dual-redundant Ovation replay system 

Joy Awards 2025

The Results

With more space and an even bigger show, the 2025 Joy Awards managed to raise the bar yet again. Our immersive system design and highly detailed control infrastructure allowed for fast transitions, flawless audio capture, and an electrifying in-room experience, all delivered live to air in a four-hour programme with no commercial breaks.

Audience reactions were subtly enhanced through the strategic use of “canned applause,” played back via surround speakers to cue live responses, a now-signature technique that again proved highly effective both on camera and in the room.

Acknowledgements
Our Client

Done + Dusted

Our Team

Sound Designer – Scott Willsallen
Project Manager – Ethan Curry
Replay Operator – Luis Miranda
FOH Mix Engineer – Ben Milton
Monitor Mix Engineer – Phil Down
Orchestra Mix Engineer – Simon Fox
Systems Engineer – Martin Dineley
Rehearsal Operator – Martyn Ward
Lavender Carpet Audio Director – Greg Kershaw
Lavender Carpet FOH Engineer – Sam King
Lavender Carpet Replay Operator – Merlin

Our Partners

Production – Done + Dusted
Creative Direction – Black Skull Creative
Set Design – Stufish Entertainment Architects
Technical Production (Done + Dusted) – Sven De Beul, Nick Malbon, Henry Gillett

Lavendar Carpet

Line Producer (Done + Dusted): Caroline Babington

Technical Production (Done + Dusted): Harry Guthrie

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